Artist | Professional | Other

United States

Andrew Gordon has been animating characters at Pixar Animation Studios for 15 years. He joined Pixar in 1997 where he has been an Animator on A Bug's Life, Toy Story 2, Monsters Inc., Finding Nemo, The Incredibles, Ratatouille and Toy Story 3. The characters he has worked on include Mike Wazowski from Monsters Inc., Gill, from Finding Nemo and Edna Mode, the costume designer in The Incredibles, and Linguini from Ratatouille. He supervised animation on Pixar’s Academy Award nominated short film Presto, and is currently a directing animator on Monsters University, due out in 2013.

Andrew studied animation in Vancouver, New York and New Jersey, and prior to his work at Pixar, he worked in the Looney Tunes division of Warner Brothers. He was awarded "Outstanding Character Animation in an Animated Motion Picture" by the Visual Effects Society for his work in Finding Nemo.

Passionate about teaching animation for over 12 years, Andrew began teaching at the Academy of Art, where he taught all levels of the animation program there. He has taught animation intensives throughout the world. Andrew has been also actively involved in The Pixar Animation Internship, helping lead it for for 2007, 2009 and 2010. Andrew is a contributing lecturer at Animation Mentor. He is a frequent guest artist at CSU Summer Arts Program. He is one of the founders of Spline Doctors, a blog/podcast dedicated to animation education. He helped develop and teach at the California College of Art's new animation program. Andrew has recently co-founded a workshop called the Animation Collaborative, which brings some of the best teachers in the world together to teach animation, story and character design.

Gordon joins The Art Department faculty this Fall (2012) as Chair of the Animation Department and Member of The Art Department Board of Directors.
Animation students could not ask for a more advantageous opportunity to learn with an animator whose unparalleled expertise is undoubtedly one of the single most valuable in the animated film industry today.

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